让泥土、釉色与窑火重新回到空间表面
当瓷砖行业长期追求更平整、更统一、更高效率的工业化表达时，空间也在某种程度上被带入了重复与冰冷。墙面可以严丝合缝，纹理可以高度一致，色号可以稳定复制，但材料本身的温度、触感和细微变化，往往也随之被削弱。
As the tile industry has long pursued more flat, more uniform, and more efficient industrial expression, spaces have to some extent been drawn into repetition and coldness. Walls can be seamlessly joined, textures can be highly consistent, color batches can be stably replicated — but the warmth, tactility, and subtle variations inherent to the material itself are often diminished along with them.
墨墨希望重新讨论一种更贴近材料本源的产品可能：以传统湿法挤出工艺为基础，研发湿法工艺小砖系列，让泥土在成型、干燥、施釉与烧成过程中保留更自然的肌理变化。它不是对工业标准的否定，而是在成熟制造体系中，为真实、质感与原创表达保留一条更有温度的路径。
Momo seeks to re-examine a product possibility that returns closer to the essence of materials: building on the traditional wet extrusion process to develop a small-format tile series that allows clay to retain more natural textural variation through forming, drying, glazing, and firing. This is not a rejection of industrial standards, but rather a warmer path within a mature manufacturing system — one that preserves authenticity, texture, and original expression.
作为专注东方人居美学的原创设计瓷砖品牌，墨墨一直强调“原创、质感、年轻理想家”的品牌核心。湿法挤出工艺小砖，正是这一核心在底层工艺上的延伸：原创不只停留在图案和色彩，也进入泥料配比、成型方式、釉面状态与空间应用的系统研发。
As an original design tile brand focused on Eastern living aesthetics, Momo has always emphasized its brand core of "Originality, Texture, and Young Idealist." The wet extrusion small-format tile series is precisely an extension of this core at the foundational process level: originality goes beyond pattern and color to encompass systematic R&D in clay body formulation, forming methods, glaze surface states, and spatial application.
01
什么是湿法挤出工艺？
What is the Wet Extrusion Process?
湿法挤出工艺，是将具有较高含水率的陶瓷泥料，通过真空挤出设备连续挤压成型，再经过切割、干燥、施釉或表面处理、烧成等环节，形成砖体的一种传统陶瓷成型方式。
The wet extrusion process is a traditional ceramic forming method in which ceramic clay body with relatively high moisture content is continuously extruded through vacuum extrusion equipment, then subjected to cutting, drying, glazing or surface treatment, and firing to form the tile body.
Extrusion Process
与常见的干压成型不同，干压工艺通常以粉料为基础，通过高压压制获得稳定、规整的坯体；湿法挤出则更接近泥料本身的原生状态。泥料在挤出过程中沿单一方向被推动，内部矿物颗粒和黏土结构会随挤出方向自然排列，从而在砖体表面和边缘形成细微而真实的工艺痕迹。
Unlike the common dry-press forming method — in which dry powder is compacted under high pressure to produce a stable, uniform body — wet extrusion stays closer to the clay's natural state. During extrusion, the clay is pushed in a single direction, causing internal mineral grains and clay structures to align naturally with the extrusion direction, thereby creating subtle yet genuine process marks on the tile surface and edges.
这些痕迹包括轻微的挤出纹理、边缘微圆角、细小针孔、局部色差、自然窑变，以及因泥料干燥和烧成收缩带来的尺寸微差。对于标准化大规格瓷砖而言，这类变化常被视为需要尽量控制的偏差；而在手工砖、小规格艺术砖和湿法工艺产品中，它们恰恰构成了产品识别度与空间生命力的一部分。
These marks include slight extrusion texture, micro-rounded edges, fine pinholes, localized color variation, natural kiln transformation, and dimensional variation caused by clay drying and firing shrinkage. For large-format standard tiles, such variations are often regarded as deviations to be minimized; but for artisanal tiles, small-format artistic tiles, and wet extrusion products, they precisely constitute part of the product's identity and the vitality of the space.
因此，湿法挤出工艺的核心价值，不是制造“每一片都完全相同”的砖，而是在可控品质基础上保留“每一片都有细微差别”的材料真实感。
Thus, the core value of the wet extrusion process lies not in manufacturing tiles that are "identical in every piece," but in preserving the material authenticity of "each piece bearing subtle variation" on a foundation of controlled quality.
02
为什么墨墨选择湿法工艺小砖？
Why does Momo Choose Wet Extrusion Small-Format Tiles?
小砖天然具有更强的尺度感和装饰性。它既可以作为墙面、岛台、吧台、玄关、浴室等局部空间的视觉重点，也可以通过不同铺贴方式建立细腻的秩序、节奏和光影层次。
Small-format tiles naturally possess a stronger sense of scale and decorative quality. They can serve as visual focal points in localized spaces such as walls, island counters, bar counters, entryways, and bathrooms, or establish nuanced order, rhythm, and light-and-shadow layering through different laying patterns.
Decorative
湿法挤出工艺与小砖的结合，
使这种尺度优势进一步放大。小
规格砖面更容易呈现泥料挤出后
的细微肌理，砖与砖之间的缝隙
也会形成更清晰的阴影关系。
当自然光或低色温灯光落在墙面
上，微圆角、针孔、缩釉、窑变
色差会共同构成有层次的表面，
而不是一整块平滑、冷硬、没有
变化的平面。
The combination of wet extrusion process with small-format tiles further amplifies this scale advantage. The smaller tile surface more readily reveals the subtle textures left by clay extrusion, and the joints between tiles create more distinct shadow relationships. When natural light or low-color-temperature lighting falls on a wall, the micro-rounded edges, pinholes, glaze retraction, and kiln color variation collectively form a layered surface — rather than a monolithic, smooth, cold, and unvarying plane.
这也是墨墨研发湿法工艺小砖的重要出发点：用传统工艺打破工业化建材的重复感，让空间表面重新拥有手作温度、材料质感和可被感知的细节。
This is also an important starting point for Momo's R&D of wet extrusion small-format tiles: using traditional craftsmanship to break the repetitiveness of industrial building materials, allowing spatial surfaces to regain handcrafted warmth, material texture, and perceptible detail.
对于年轻一代居住者和设计师而言，家不再只是功能容器，也是一种审美表达。越来越多“年轻理想家”希望空间不必过度完美，却要真实、松弛、有独特记忆点。湿法工艺小砖正适合这样的需求：它不夸张，却有辨识度；不追求绝对统一，却能让墙面、家具立面和局部场景更有层次。
For the younger generation of homeowners and designers, home is no longer merely a functional container but also an aesthetic expression. An increasing number of "Young Idealists" desire spaces that need not be overly perfect, but are authentic, relaxed, and endowed with distinctive memorable points. Wet extrusion small-format tiles are perfectly suited to this need: understated yet identifiable; not pursuing absolute uniformity, yet capable of adding layering to walls, furniture elevations, and localized scenes.
03
三个系列，呈现湿法工艺的不同面向
Three Series, Presenting Different Facets of the Wet Extrusion Process
围绕湿法挤出工艺，墨墨形成了釉间、窑雨、向火三大湿法工艺小砖系列。三者共享同一工艺基础，却通过不同釉面、色彩和质感方向，回应不同空间风格。
Centered on the wet extrusion process, Momo has developed three small-format tile series: Glaze Veil, Kiln Rain, and Kiln Ember. While all three share the same process foundation, they respond to different spatial styles through distinct glaze surfaces, color palettes, and textural directions.
釉间 Glaze Veil
湿法挤出工艺 + 满釉
Wet extrusion + full glaze
60×227×10mm
窑雨 Kiln Rain
湿法挤出工艺 + 满釉
Wet extrusion + glaze retraction
60×227×12mm
向火 Kiln Ember
湿法挤出工艺 + 无釉/喷釉/金属釉
Wet extrusion; unglazed / spray-glazed / metallic glaze
60×227×12mm
100x100x12mm
釉间 Glaze Veil
釉间 Glaze Veil，规格为 60×227×10mm
采用湿法工艺与满釉表面表达。釉白、釉灰、釉青、釉绿等低饱和色系，让砖面呈现温润、柔和、安静的视觉效果。
Glaze Veil, available in 60×227×12mm, employs the wet extrusion process with a full-glaze surface expression. Low-saturation color tones such as Glaze White, Glaze Gray, Glaze Teal, and Glaze Green give the tile surface a warm, soft, and tranquil visual effect.
它适合卧室背景墙、浴室、日式玄关等空间，用通体满釉的柔光感弱化硬质建材的冰冷感，营造都市疗愈与日式静谧氛围。
It is suited to bedrooms, bathrooms, Japanese-style entryways, and other spaces, using the soft sheen of a full-glaze finish to soften the coldness of hard building materials and cultivate an atmosphere of urban sanctuary and Japanese serenity.
窑雨 Kiln Rain
窑雨 Kiln Rain，规格为 60×227×12mm
采用湿法工艺与缩釉表面表达。缩釉让砖面形成满釉与裸露颗粒的随机交错，釉白、雨霁、苔绿、翠绿等颜色强化了雨水、泥土与自然植物的联想。
Kiln Rain, available in 60×227×10mm, employs the wet extrusion process with a glaze-retraction surface expression. Glaze retraction creates a random interplay of full-glaze areas and exposed raw clay on the tile surface, while colors such as Glaze White, Post-Rain, Moss Green, and Emerald reinforce associations with rainwater, earth, and natural vegetation.
它适合岛台、浴室墙面、茶室、玄关等区域，在局部空间中形成更鲜明的手工肌理和自然层次。
It is suited to island counters, bathroom walls, tea rooms, entryways, and other areas, forming more pronounced handcrafted texture and natural layering within localized spaces.
向火 Kiln Ember
向火 Kiln Ember，是湿法工艺小砖中更具原生张力的代表。产品包含 100×100×12mm 与 60×227×12mm 两类规格，覆盖无釉、喷釉、金属釉以及满釉/不满釉等不同表面状态。素壤、青灼、霜灼、窑霜、赤火等色彩，强调泥土、火焰与烟火感的关系。
Kiln Ember represents the most primal and raw expression within the wet extrusion small-format tile range. The product line encompasses two specifications: 100×100×12mm and 60×227×12mm, covering unglazed, spray-glazed, metallic glaze, and full-to-partial glaze surface options. Color tones including Raw Earth, Verde Flame, Frost Flame, Kiln Frost, and Crimson Flame emphasize the relationship between clay, flame, and the warmth of hearth.
它更适合茶室、咖啡厅吧台、庭院墙面、艺术空间、复古民宿等场景，用粗粝、温暖、带有窑火痕迹的表面建立空间记忆点。
It is better suited to tea rooms, café bar counters, courtyard walls, art spaces, and vintage-style homestays, using rough, warm surfaces marked with kiln fire traces to establish memorable spatial identity.
从釉间的柔光满釉，到窑雨的随机缩釉，再到向火的原生烟火质感，墨墨并没有把湿法工艺简单定义为某一种风格，而是将其转化为一个可延展的产品系统。它可以温柔，也可以粗粝；可以服务家庭空间，也可以进入商业项目；可以做安静背景，也可以成为空间视觉焦点。
From the soft-glow full glaze of Glaze Veil, to the random glaze retraction of Kiln Rain, to the raw hearth-fired texture of Kiln Ember, Momo does not reduce the wet extrusion process to any single style, but transforms it into an expandable product system. It can be gentle or rugged; it can serve residential spaces or commercial projects; it can serve as a quiet backdrop or become the visual focal point of a space.
04
让墙面从背景变成有呼吸的界面
Three Series, Presenting Different Facets of the Wet Extrusion Process
在现代空间中，墙面和立面常常承担两种角色：一是安静的背景，二是记忆点的来源。湿法工艺小砖的优势，正是在这两者之间找到平衡。
In modern spaces, walls and elevations often fulfill two roles: one, a quiet backdrop; two, a source of memorable detail. The advantage of wet extrusion small-format tiles lies precisely in finding the balance between these two.
它不像强图案材料那样快速占满视觉，也不像纯平材料那样容易失去细节。湿法小砖通过釉色深浅、砖边阴影、表面微差和缝隙节奏，在近看时提供丰富触感，在远看时形成整体秩序。它的装饰性不依赖夸张图案，而来自材料自身的细微变化。
Unlike bold-patterned materials that rapidly dominate the visual field, or pure flat materials that easily lose detail, wet extrusion small tiles, through variations in glaze tone, tile-edge shadows, surface micro-differences, and joint rhythm, provide rich tactility up close and form an overall order at a distance. Its decorative quality does not rely on exaggerated patterns but arises from the subtle variations inherent to the material itself.
PERSONAL AESTHETICS
这类变化会随着光线发生改变。白天，自然光让釉面和泥料肌理显得更柔和；夜晚，低角度暖光能放大砖面起伏，形成更强的明暗层次。对于商业空间而言，这种变化有助于建立品牌氛围和拍摄传播点；对于居住空间而言，它能让家更松弛、更耐看，也更有个人审美表达。
These variations shift with light. During the day, natural light softens the appearance of the glaze surface and clay texture; at night, low-angle warm light amplifies the surface undulations, creating stronger contrast and shadow layering. For commercial spaces, this variability helps establish brand atmosphere and photogenic moments; for residential spaces, it makes the home feel more relaxed, more enduring to look at, and more expressive of personal aesthetics.
05
从原创设计到原创工艺
Three Series, Presenting Different Facets of the Wet Extrusion Process
墨墨对湿法挤出工艺小砖的研发，并不是一次简单的复古回潮。传统工艺要真正进入现代空间，必须经过泥料稳定性、成型参数、干燥曲线、釉面适配、烧成控制、产品规格和终端施工方式的系统转化。
Momo's R&D of wet extrusion small-format tiles is not a simple nostalgic revival. For traditional craftsmanship to truly enter modern spaces, it must undergo systematic transformation in clay body stability, forming parameters, drying profiles, glaze compatibility, firing control, product specifications, and end-user installation methods.
Looking Different
这意味着，墨墨所追求的原创，不只是“看起来不一样”，而是从材料选择、工艺路径到空间落地都具有自己的判断。湿法工艺小砖所呈现的手工感，也不是任由偏差失控，而是在品质控制和自然变化之间建立新的平衡。
正因如此，湿法工艺小砖回应了当下建材消费中的一个重要变化：人们不再只满足于材料的功能与价格，也开始关注材料是否有温度、是否能表达个人审美、是否能让空间更接近真实生活。
This means that the originality Momo pursues is not merely "looking different," but encompasses independent judgment from material selection and process pathways to spatial implementation. The handcrafted feel presented by wet extrusion small-format tiles is not a letting-go of variation into chaos, but rather the establishment of a new balance between quality control and natural variation.
It is precisely for this reason that wet extrusion small-format tiles respond to an important shift in current building material consumption: people are no longer satisfied solely with a material's function and price, but also care whether it carries warmth, whether it can express personal aesthetics, and whether it can bring a space closer to authentic living.
墨墨以湿法挤出工艺为基础，将釉间、窑雨、向火三大系列构建为一个兼具实用价值与装饰价值的小砖系统。它打破工业化瓷砖过度统一的冷感，也避免把手工感停留在表面叙事中；它让泥土、釉色与窑火重新回到空间表面，让每一面墙都拥有可触摸、可观看、可停留的质感。
Building on the wet extrusion process, Momo has constructed the three series — Glaze Veil, Kiln Rain, and Kiln Ember — into a small-format tile system that combines utility with decorative value. It breaks the coldness of over-uniformity inherent in industrial tiles, while also avoiding the reduction of handcrafted feel to mere surface narrative; it brings clay, glaze, and kiln fire back to spatial surfaces, endowing every wall with a texture that is touchable, visible, and worth lingering upon.
对于追求原创表达、重视材料质感、希望拥有独特居住体验的年轻理想家而言，墨墨湿法工艺小砖提供了一种新的选择：不必用绝对完美定义高级，而是在真实的细节中，看见空间更长久的美。
For Young Idealists who pursue original expression, value material texture, and desire a unique living experience, Momo's wet extrusion small-format tiles offer a new choice: one need not define sophistication through absolute perfection, but can discover a space's more enduring beauty within authentic detail.
Swipeable
